theatre

Sun 22 Feb 2026

Voor het pensioen

Pierre Bokma, Katelijne Damen et al.

Tickets

Pierre Bokma, Tiny Bertels, and Katelijne Damen star in this dark, grim comedy by Thomas Bernhard. It’s about a society that remains haunted by its far-right past. 

On the birthday of Heinrich Himmler, former SS leader, Rudolf Höller celebrates a special day. Once he was camp commander, now he is a respected chairman of the court about to retire. In the Höller family house, a bitter, claustrophobic celebration unfolds. His sister Vera shares his nostalgic tribute. Their younger sister Clara – bound to her wheelchair and to the horrific memories of the past – looks on in horror. It becomes a celebration of guilt, resentment, denial, and moral decay. And about family ties that can never be broken. 

Director Tom Dewispelaere places this suffocating family drama in our present time. Far-right ideas and statements that were once unacceptable are now seen as normal. This makes Bernhard's work more relevant than ever. Before Retirement is not a history lesson, but an invitation to continue reflecting on the shadows of the past. How do they continue to haunt us in the present? And how far do people go in their search for stability? 

  • text Thomas Bernhard translation Hans W. Bakx direction Tom Dewispelaere performance Pierre Bokma, Tiny Bertels, Katelijne Damen production Toneelhuis | Olympique Dramatique

This performance has no interval.

Haal je tickets

Sunday 22 February

20:15 - 22:15 Schouwburg €28.00
Prices
1e tier
regular €28.00
2e tier
regular €22.50
3e tier
regular €19.50

With Voor het pensioen, Olympique Dramatique puts its finger on concealed Nazism: wounded, double‑hearted and trigger‑happy

De Standaard

Everything feels claustrophobic and uncomfortable. But it is a good performance, because it pauses at moral decay and shows how toxic something can become if you watch it with resentful eyes for too long, for then a point comes from which there is no way back.

Het Nieuwsblad

Voor het pensioen sketches a grim post‑war image of ideology, power and moral decay that sounds eerily current. Olympique Dramatique translates it into two hours of relevant text‑based theatre, driven by excellent performances.

De Tijd

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